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EDUCATION

2009 MFA, Hoffberger School of Painting, Maryland Institute College of Art, Baltimore

2002 Advanced Studies in Venetian Plaster and Gilding, Sepp Leaf, New York

1988 BFA Painting, Maryland Institute College of Art, Cum Laude

1987 New York Studio Program, New York

RESIDENCIES & PORTFOLIO REVIEWED WORKSHOPS

2024 Vermont Studio Center, 30 day residency, recipient of the VSC Grant

2022 Anderson Ranch, Topics in Painting, Shahzia Sikander & Holly Hughes

2021 Anderson Ranch, Advanced Painting, Christina Quarles, Cathy Opie, & Helen Molesworth

2010 VCCA, Artists Residency, Amherst, VA.

2009 Vermont Studio Center, Artist Residency, Johnson VT.

2009 Maryland Art Place, Critics Residency Program, Curator: Vincent Katz.

SELECTED EXHIBITIONS

SOLO

2024 Forgotten Realm Asher Grey Gallery, Online Artsy

2023 Place of Wonder, Slate Contemporary, Oakland California

2011 Cells and Stars: New Paintings, C. Grimaldis Gallery, Baltimore, MD.

GROUP

2023 Snapshot of Sunsets: California Abstraction Now: Royale Projects, Los Angeles CA

2022 Color: Visible Windows, Gong Gallery, Newport Beach, CA

2022 Cultural Cannibalism, CVAC, CA; Curator: Susan Myrland.

2022-3 Intersect Art Fair, Palm Springs California, Curator: Bernard Leibov.

2021 Artists Comment, Outdoor Invitational, CVAC, CA, Curator: B Schinsky

2019 ACE Juried Exhibition, Palm Springs Art Museum, Palm Desert, CA.

2018 Artist Council Exhibition, Palm Springs Art Museum, CA.

2015 With Silence Comes Peace, Silber Art Gallery, Baltimore, MD.

2010 185th Invitational Exhibition of Contemporary American Art, National

Academy Museum, New York, NY.

2009 Art Miami, C. Grimaldis Gallery, Miami, FL.

2009 Sublime Structure, C. Grimaldis Gallery, Baltimore, MD.

2009 Conner Contemporary, Options Biennial Exhibition, Washington, DC.

2009/10 Sondheim Finalist Exhibition, Meyerhof Gallery, Baltimore, MD.

2009 Landscape Biology, Hemphill Fine Arts,, Washington DC.

PUBLICATIONS

2024 Desert Magazine, Is Perez Road the SOHO of our desert? Kent Blackburn

2022 Palm Springs Life Magazine, Inquiring Mind: Kim Manfredi, Steven Biller

2018 The Desert Sun, Artist Council Award Exhibition

2010 The Urbanite, Cells and Stars, Cara Ober

2010 New York Times, Academy Gives Art Some Wiggle Room, Karen Rosenberg

2010 & 2012 New American Painting

2009 Art News, December 2009, Sublime Structure, by Cara Ober

2009 The Baltimore Sun, A Closer Look at a “Body Of Work”, Tim Smith

2009 The Washington Post, Options, Unexpected Possibilities, Michael O’Sullivan

HONORS

2024 Vermont Studio Center VSC Grant

2021 Desert X Artists Relief Grant

2019 Board of Directors, Coachella Valley Artist Council, Professional Development

2018 Jack Farley Community Award for Painting

2010 Walter and Janet Sondheim Prize Semi Finalist

2009 Nominee, DCCA Biennial Exhibit

2008 Walter and Janet Sondheim Prize Semi Finalist

2008 Hoffberger & Polovoy Merit Awards

2007 Hoffberger & Polovoy Merit Awards

2005 Kristen Rita Strouse Foundation Artist Award

COMMUNITY SERVICE

2020 - 2023: Co-Founder and Organizer of Desert Open Studios Tour

2021: Coachella Valley Art Center, Painting Instructor for Veterans

2018 - 2020: Board Member, Coachella Valley Artists Council

statement

My art, rooted in self-inquiry is inspired by the supernatural as found in nature and art history. Through mindfulness and discovery my paintings address the complex intersections of sensation, power, and femininity.

My work exists as two distinct bodies. An exploration of nature as experienced through extreme exercise like desert hiking as well as an equally rigorous study of art history; specifically the role of marginalized women portrayed in renaissance and baroque painting.

Through painting, I delve into the supernatural roles of women in art history, a journey that leads to profound inquiries about unconditional love, grief, and hope. By re-contextualizing iconic works depicting Mary Magdeline or Judith I challenge traditional narratives, offering a contemporary lens on age-old themes. My paintings, infused with intersectional feminist ideals, strive to dissolve boundaries and create a dialogue about the evolving role of abstraction and figuration. I embody magical discoveries through the act of painting and by pushing my wounded elder body through sensation while walking tens of thousands of steps into the desert landscape.

I use rattle-can enamel and oil to make my paintings. Hot pink, fluorescent orange, earthy green, blacks, browns, and yellow, create an unexpected palette. Chance operations and intentional marks seduce by offering a place for an uninhibited gaze. As drips and bleeds leave a residue, mystery enters the work. Embracing the unknown, the work is imbued with spirituality, like the painting systems of Agnes Martin and Agnes Pelton.

bio

Kim Manfredi graduated from Maryland Institute College of Art in 1988. They returned to MICA and graduated under the tutelage of Grace Hartigan and Joyce Kozloff earning an MFA in 2009.

After graduating, Kim was represented by C. Grimaldis Gallery and has attended residencies at Vermont Studio Center, VCCA, and Maryland Art Place. Kim shows with Slate Contemporary in the bay area. Most recently Kim was included in the survey, SnapShots of Sunsets: California Abstraction Now presented by Los Angeles based Royale Projects. Kim loves her local desert community and is a founder of the annual Desert Open Studios Tour.